{"id":47,"date":"2023-05-30T12:45:06","date_gmt":"2023-05-30T12:45:06","guid":{"rendered":"https:\/\/zahrapoonawala.org\/?p=47"},"modified":"2023-06-14T08:34:02","modified_gmt":"2023-06-14T08:34:02","slug":"tutti","status":"publish","type":"post","link":"https:\/\/zahrapoonawala.org\/en_us\/tutti","title":{"rendered":"Tutti"},"content":{"rendered":"
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This interactive sound installation attempts to further a study begun a few years ago, which questions the sound and the visual relationships between a part and a whole, between the production and perception of sound. Whereas earlier works were static in their presentation, this one places the spectator in the position of explorer.\nDrawing on the precedent of \u00abacousmoniums\u00bb or loudspeaker orchestras, the work aims to materialise a more dynamic listening experience by basing it on movement. The space occupied by the installation is a given, but it may be perceived according to variable operating modes. It is first marked by a fixed point - the wall of loudspeakers that forms the visual and sound background. The different layers of sound intensify this spatial organisation.\nFrom a fundamentally complex chord which forms a base, the reaction to the spectators\u2019 movements determines the changes of intensity, ignites solos which stand out from the sound mass. To approach is to listen, but also to provoke a differentiated sound response. The recorded music has been orchestrated for a chamber ensemble by Ga\u00ebtan Gromer based on the artist\u2019s proposals. Influenced by works as that of Giacinto\u2019s Scelsi\u2019s, it is given to be heard as a complex chord in which the spectator, like a speleologist, will direct the beam of his attention towards a music stand or a part of the orchestra, travelling inside the sound as well as the self-contained space of the installation. The movement, whether it be visual or sound, will not disrupt the continuity but alter the balance and the perspectives. \nTo paraphrase Wagner: here, the sound becomes space.<\/span><\/p>\n

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St\u00e9phane Valdenaire
Creation : Zahra Poonawala
<\/span>Music : Ga\u00ebtan Gromer \/ Fl\u00fbtes : Ayako Okubo \/ Clarinettes : Adam Starkie \/ Violon : Marie Osswald \/ Alto : Antoine Spindler \/ Violoncelle : Anne-Catherine Dupraz \/ Contrebasse : Elodie Peudepi\u00e8ce \/ Programmation : Beno\u00eet Jester, Ga\u00ebtan Gromer \/
<\/span>Robotique : Antoine Rousseau \/ D\u00e9tection : David Lemar\u00e9chal \/ Construction : JM Delannoy.\u00a0
<\/span>D\u00e9tection informatique : David Lemar\u00e9chal
<\/span>Construction : Jean-Marc Delannoy<\/span><\/p>\n

En partenariat avec M\u00e9talu et Les Ensembles 2.2<\/p>\n

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\"TUTTI-ZAHRAPOONAWALA-KUNSTHALLE_MULHOUSE_2014_100dpi_1200x706\"<\/figure><\/a><\/div>
\"TUTTI-ZAHRAPOONAWALA-photo-raphaelle-duquesnoy_100dpi_1200x706\"<\/figure><\/a><\/div>
\"Tutti_ZahraPoonawala_phMORILLA_100dpi_1200_706\"<\/figure><\/a><\/div>
\"TUTTI-ZahraPoonawala_AUBETTE_STRASBOURG_2016_12000x800\"<\/figure><\/a><\/div>
\"TUTTI<\/figure><\/a><\/div>
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